The Poetics of Consent breaks new ground in Homeric studies by interpreting the Iliad‘s depictions of political action in terms of the poeticforces that shaped the Iliad itself. Arguing that consensus is a central theme of the epic, David Elmer analyzes in detail scenes in which the poem’s three political communities-Achaeans, Trojans, and Olympian gods-engage in the process of collective decision making.
These scenes reflect an awareness of the negotiation involved in reconciling rival versions of the Iliad over centuries. They also point beyond the Iliad‘s world of gods and heroes to the here-and-now of the poem’s performance and reception, in which the consensus over the shape and meaning of the Iliadic tradition is continuously evolving.
Elmer synthesizes ideas and methods from literary and political theory, classical philology, anthropology, and folklore studies to construct an alternative to conventional understandings of the Iliad‘s politics. The Poetics of Consent reveals the ways in which consensus and collective decision making determined the authoritative account of the Trojan War that we know as the Iliad.
David F. Elmer is an associate professor of the classics at Harvard University.
Richard Martin, Stanford University
This fine project far exceeds the bounds of a monograph on Homeric epic, as it opens up the Iliad to a broad range of questions concerning politics and persuasion, showing with admirable precision how consensus is constructed in one of our earliest documents of western culture. Elmer achieves what is harder and harder to do—he makes totally new points about our oldest Greek compositions, as he convincingly tracks the theme of consent throughout the Iliad and demonstrates how it structures the entire poem. This is one of the most important books on Homer in decades.