New Derrida book series from U. of Chicago Press


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Jacques Derrida, The Beast & the Sovereign, Volume 1, trans. Geoffrey Bennington (Chicago: Univ. of Chicago Press 2009)

The University of Chicago Press is set to release (in Novemeber) the first volume in a new book series, which will consist of materials written by Jacques Derrida that were left unpublished at the time of his death. Because the nature of the relationship between Derrida’s writings and those of Wittgenstein, Austin, and Cavell has long been an important issue for those who are concerned with OLP and what has been called “ordinary language criticism,” we thought readers of this blog would be interested to know of this new publishing project. This first volume in the series, entitled The Beast & the Sovereign (see description below), also reflects upon the concept of the human, and its relationship to the concept of the animal, which is another philosophical issue that has been much discussed by OLP-associated thinkers (like Diamond, Cavell, and Mulhall) in the recent past, so this volume may be of interest to some of our readers for that reason as well.

Series and book description (copied from the press’ website):

When he died in 2004, Jacques Derrida left behind a vast legacy of unpublished material, much of it in the form of written lectures. With The Beast and the Sovereign, Volume 1, the University of Chicago Press inaugurates an ambitious series, edited by Geoffrey Bennington and Peggy Kamuf, translating these important works into English.

The Beast and the Sovereign, Volume 1 launches the series with Derrida’s exploration of the persistent association of bestiality or animality with sovereignty. In this seminar from 2001–2002, Derrida continues his deconstruction of the traditional determinations of the human. The beast and the sovereign are connected, he contends, because neither animals nor kings are subject to the law—the sovereign stands above it, while the beast falls outside the law from below. He then traces this association through an astonishing array of texts, including La Fontaine’s fable “The Wolf and the Lamb,” Hobbes’s biblical sea monster in Leviathan, D. H. Lawrence’s poem “Snake,” Machiavelli’s Prince with its elaborate comparison of princes and foxes, a historical account of Louis XIV attending an elephant autopsy, and Rousseau’s evocation of werewolves in The Social Contract.

Deleuze, Lacan, and Agamben also come into critical play as Derrida focuses in on questions of force, right, justice, and philosophical interpretations of the limits between man and animal.

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